CERAMICS

This is the story of nostalgia, memories, depression related to home. Some people try to come back in home and some people try to come out from home. The poor man's "social virtarantees of repayment. Use", the "content of his vital activity", his "flesh and blood". His “morality", and even his “existence" are measured as guarantees of repayment. In debt material or immaterial, it makes no difference, but the morality of debtor, his mode of existence his "ethos”. The importance of the debt economy lies in the fact that it appropriates and exploits both chronological labor time and action, non-chronological labor time and action, non-chronological time, time as a choice, decision, a wager on what will happen and on the forces (trust, desire, courage, etc.). It appears as if the power of the alien, material force were broken, the relationship of self-estrangement abolished and a man had once more human relations to man. It makes it seem that social relations between people are no longer inverted in a social relationship between things, as is the case in the capital/labor relationship. The debt no longer exists on paper, but it exists in social existence, the deepest depths of his heart, and because under the appearance of man's trust in man it is the height of distrust and complete estrangement. Trust in other, self and the world represents only in the "illusion", alienation is complete.